Vera etichetta di riferimento di tutto l'indie-pop svedese e scandinavo in generale, la Labrador ha scelto nell'ultimo anno di spingersi in modo deciso verso suoni elettronici e sperimentali: ecco infatti il lancio dei vari The Sound Of Arrows, Pallers, Little Big Adventure o l'imminente ritorno dei The Radio Dept.. Nella medesima direzione hanno recentemente mostrato di incamminarsi anche The Legends, la band che ruota attorno a Johan Angergård, ovvero l'anima di due gruppi di culto come Acid House Kings e Club 8, portabandiera del pop alternativo più etereo, retrospettivo e insieme attualissimo (quello appunto che ha reso grande la Labrador Records).
The Legends rappresentano da sempre la faccia più noise e inquieta del songwriting di Angergård, e al contempo quella più imprevedibile (vedi infatti la svolta kraftwerkiana di Facts and figures).
Over And Over, quarto lavoro sulla lunga durata dei The Legends, sembra oggi trovare un'equilibrata mediazione tra le diverse spinte centrifughe che hanno caratterizzato il gruppo nei diversi anni della sua vita artistica: ci sono infatti episodi gentili e floreali che potrebbero uscire da un disco degli Charades o degli Acid House Kings (Monday to saturday e Jump per esempio), altri dominati da chitarre distorte e trapananti, e poi misurate sortite elettroniche, melodie nervose che ricordano i primi Radio Dept., ovattate divagazioni dream-pop e rasoiate post-punk, citazioni dello shoegazer e delle band Sarah e Creation, di Jesus and Mary Chain, dei Pastels, dei Comet Gain. Su tutto ovviamente l'immediatezza melodica (deciamente di gusto sixtie) di cui Johan Angergård è maestro indiscusso e che emerge con forza anche nei momenti maggiormente elettrici e spigolosi.
Insomma, Over And Over è una specie di bignami di vent'anni e forse più di pop-rock alternativo, sapientemente declinato da uno dei musicisti più intelligenti che la scena indie svedese possa vantare.
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